Friday, August 8, 2008

Brazil musician leaves government

The Brazilian musician and Minister of Culture, Gilberto Gil, says he is standing down from the government to concentrate on his music career.


Mr Gil, 66, has been in government since 2003, but said for some time that he was finding it difficult to pursue two demanding roles.

He said public speaking was affecting his singing ability.

As culture minister, he championed sometimes neglected forms of cultural expression such as indigenous painting.

However it was always clear that he hankered to return to his artistic career, and some critics questioned the level of commitment to his political role, says the BBC's Gary Duffy in Sao Paulo.

But the outgoing minister said he not been worried about the criticism he faced over the overlap between his artistic and political roles.

Priority

Mr Gil said that the culture ministry's executive secretary, Juca Ferreira, would take over from him.

He added he had tried to resign twice since late 2007, but President Luiz Inacio Lula da Silva had refused to accept his resignation.

This time, the president agreed with Mr Gil's request, saying the singer and composer was "going back to being a great artist, going back to giving priority to what is most important" to him.

His music-making had been limited by the demands of government, and he had to seek the president's permission to tour abroad.

Period in exile

Alongside his long musical career, politics has played a prominent part in Gilberto Gil's life, our correspondent says.

He first made his mark in the 1960's along with the singer Caetano Veloso.

Their Tropicalismo movement with its mix of Western rock and Brazilian musical styles, and an emphasis on personal freedom, was considered subversive enough for both men to be briefly arrested in 1969 under Brazil's military dictatorship.

They were freed on condition they leave the country, and Gilberto Gil went to live in London.

He returned to Brazil in 1972, and after concentrating on his music he later began his political career.

When selected by President Lula to be minister of culture, Mr Gil was only the second black person to serve in the country's cabinet.

His resignation certainly removes one of the more intriguing figures from the Brazilian political stage, our correspondent notes.

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Velvet Revolver Still Mulling New Frontman

Jonathan Cohen, N.Y.
Contrary to reports suggesting former Spacehog frontman Royston Langdon is in line to become the new singer of Velvet Revolver, the band is still making up its mind about who will replace Scott Weiland.

Bassist Duff McKagan tells Billboard.com that although Velvet Revolver did play with Langdon and that "he's f*cking awesome, at this point I'd have to say no" on him becoming the new singer.

"We just have to make sure it's the right guy," he says, adding that Weiland's angry departure from the band this spring has brought him closer to group members Slash, Matt Sorum and Dave Kushner. "Karmically, we deserve the right guy. It's a tough thing, man. We make a pretty big noise." Velvet Revolver isn't so much auditioning vocalists as "just seeing how it feels," McKagan says, adding with a laugh, "We wouldn't know how to do an audition. We wouldn't have somebody come in and go, 'Okay, play 'Slither!' Play 'Fall To Pieces!'" For now, the band is taking inspiration from its recent personnel drama and channeling it into new material. "We have a bunch of stuff finished. It's great. It's killer," McKagan says. "We started getting really productive when a ton of drama started happening on the road. It was like our safe place to go to. Sometimes that's how you get some feelings out." One thing McKagan hasn't done is listen to any of the online leaks from his former band Guns N' Roses' long-awaited "Chinese Democracy." "I wouldn't even know where to look," he says, chuckling. "Slash said he heard a couple of tunes. I wish [Axl Rose] all the best." As reported yesterday, McKagan just finished an album with his side band Loaded, and will play a handful of U.S. and European shows in August and September.

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The Police Take a Final Bow in New York City

As the final notes of “Next To You” filled the Madison Square Garden air in New York tonight, Stewart Copeland, Andy Summers and Sting held hands and took one final bow as the Police. Someone dressed as an obese opera singer took the stage behind them, and the fat lady literally sang as the Looney Tunes music began playing. As Sting did a goofy dance, Porky Pig spoke: “Obley, obley, obley… That’s all folks.” Sting strode up to the mike as his bandmates began walking offstage. “Madison Square Garden!” he yelled. “Center of the city, center of the world! Goodnight!” Thus marked the end of the 150th and final gig of the Police’s 15-month reunion/farewell tour in which they played to 3.7 million people — and made nearly $386 million

The night didn’t begin so smoothly. As opposed to the standard opener of “Message in a Bottle,” the band began with a dreadful cover of Cream’s “Sunshine of Your Love.” It was nice to pay homage to another famously embattled trio who also ended a series of recent reunion gigs at Madison Square Garden, but classic rock covers clearly aren’t their forte. Things picked up quickly when the New York City Police Marching Band took the stage and pounded away “Tusk”-style on “Message in a Bottle.” From here their massive catalog of hits started pouring out fast and furiously: “Walking on the Moon,” “Invisible Sun,” “Can’t Stand Losing You” and so on. Sting’s daughters danced near their father during “Every Little Thing She Does Is Magic.” Barely pausing between numbers, the band ran through the show oddly quickly. The whole thing was a hair under two hours.

Before playing the naughty schoolgirl anthem “Don’t Stand So Close To Me,” Sting looked back at his pre-Policeman days. “Before I took this job I worked as a teacher at a convent in England,” he said. “I was the only man. I had a pension, a mortgage… What the fuck happened to me?” What happened was he met an American drummer named Stewart Copeland and started what became one of the most massive bands in history. They broke up at their stadium-packing peak in 1984 and Sting insisted for decades they’d never reform. Throughout the night Sting looked happy he changed his mind, or maybe he was just happy the whole thing was nearly over.

After the main set, a backstage camera showed an extremely bearded Sting laying back in a barber chair. Two blonde women began furiously shaving his beard with an electric razor, while men shined his shoes and gave him a manicure. When the hair was short enough they coated his face with shaving cream and used a disposable razor to finish the job (”C’mon, use a straight razor!” yelled a guy near me.) Midway through Stewart Copeland gave him a kiss on the lips. Do they really actually like each other, or is it all an act? It’s impossible to know for sure. “It’s been a huge honor to get back with my old friends,” Sting said earlier in the night. “The triumph of this tour is that we haven’t strangled each other — not to say it hasn’t crossed my mind.” Farewell tours are a longtime joke in rock & roll (the Who are about to launch their seventh post-”farewell tour” tour), but it seems likely this is really it for the Police. In many ways, they went out on top.

Andy Greene


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